Unraveling a Good Yarn.

More and more, I see life as a prolonged absorption. I consider where I've been, who I've seen, and what I've heard, and how it constructs who I am and what I think and believe. Time and retellings sometimes layer the stories and memories that build me with a glamorous dust of nostalgia, and if I'm not careful, I find myself soaking in sterile versions of an otherwise complex reality.

Absorption is natural. It's a process of construction akin to setting up a Jenga tower one block at a time. And self examination, self analysis really, requires a certain stock of vigilance in order to scrutinize the fundamental elements of one's personal makeup. It can be exhausting, frankly, and lead, like gaming the Jenga tower, to periodic toppling.

Unlike Jenga, however, the fallen blocks do not constitute a loss. Understanding this, over time I've made self examination and self analysis as natural as absorption. I've learned that these symbolic Jenga pieces can do a lot more than make and remake towers; however, I've also come to see that making self study second nature renders one a slave to process--a believer that knowing is ongoing, really.

With this prologue in mind, I submit my annual summertime musings on the father-son dynamic by which I'm so ardently intrigued. In past summers I've analyzed some father-son traditions, asked that my old man expose me to one part of his history, and even tried (failed, really) to walk in his footsteps. In keeping with this interest and tradition, this summer I asked Dad to help me discover more relics of our father-son dynamic by showing me elements from his own past, moments from his history that perhaps trickle down to inform our own.

I can't say for sure if this in some way fuels my own understanding of my relationship with him, but I know that learned behaviors reconstitute themselves over time, and I know I understand him--to some extent--because of the way he understands his own experience as a father and son. Like last year's backpacking trip, I again forced him to take the reins. This time, however, I challenged him with a less strenuous quest through his hunting history in Idaho.

Hunting, for my father as a child, was a learned behavior. He followed the lead of his own father, who had in his youth forged relationships with other men who enjoyed the practice. This enjoyment eventually took them to the northern regions of Idaho, a place where hills give way to sweeping valleys and dramatic canyons that offer a treasure of public and private lands teeming with deer, elk, sheep, and bear. My father's first trip into such country involved 12 hours in the back of a trailer, where at 13 he and his twin brother bickered and argued nearly the whole of a drive which culminated in two, long hours down a nauseating dirt road into Wild Horse Canyon.

After returned trips, a property owner in the canyon suggested she and her husband better "make friends with them California boys." And thus, what started as an invite for dinner forged a bond that outgrew its original intentions. The family eventually provided lodging and hospitality for countless hunting trips, and offered staging areas for various trips in the canyon and around their daughter's home in the community of Council. In exchange for this kindness, my grandfather provided tractor parts--his trade, really--along other necessities for the rugged, canyon living characteristic to this kind of country. The relationship eased the burden of isolated living for them, and provided relief from the burden of urban living for my family. Things evolved--continue to evolve really--into an extended family forged by fondness and frankness, bearing all the brightly and darkly shaded tones of tradition and time.

I've included some highlights of my recent trip, and brief explanations of particular threads comprising the familial flag.

The view west through Wild Horse Canyon, toward Council, Idaho.

The view of the ranch house from an overlook bearing family memorial plaques.

My father, addressing his dad's plaque, alongside current property owner Darryl. The ranch and land were passed on from his father-in-law Arnold, whose plaque sits in the foreground. Portions of both men's ashes were scattered from the hilltop.

The ranch house and seasonal garden (below).

Darryl (at right) making homemade ice cream in the kitchen/dining room.

The staircase to our lodgings.

My spread.

We took a dirt road out of Wild Horse, driving the ridge line toward popular hunting locations. This is a view from the rim of the canyon, looking northwest in the direction of Oregon state.

The view toward a tiny speck of the ranch house from the deer trail (below), trekked countless times by the men in my family.

Dad, indulging my desire to try the fast-moving Wild Horse River, tying the brightest spinner we have.

We wised up, finding far more success the next day. Here's the result of my first cast at Lost Lake, north of Council. The second and fourth casts provided the same result.

Uncle Ray shows off the day's dandy whopper.

Final tally came to 14, four shy of the limit. We threw a number of smaller perch back, but saved a few for what I'm told are tasty filets.

Ruth, the matriarch and initiator of the friendship "with them California boys," surveys the remnants of our fish fry back in Council.

For me this experience, like those in past summers, hasn't been about uncovering the past so much as using aspects of it to justify the future. Before the dinner we shared on our final night in Council, Ray made a brief whiskey toast at cocktail hour "to old times." The salute seemed fitting: he and my father, estranged step brothers, had just spent the afternoon casting line and telling stories. From Ray's left, with my own glass, I added, "and to new ones," in a hazy move to solidify the permanence of our unfurling lineage. He paused, considered, and agreed as the atmosphere seemed to turn momentarily poignant.

But a really good story will do that to you.

Sibling rivalry: When the TV Fights for a Place at the Table

I was fortunate enough to see my college roommate on Father's Day. This is significant for a number of reasons, but the most prominent include that facts that, a.) He was the first in my inner circle to become a father; b.) The opportunity to become a father ended our time together as roommates (rightfully so, we would say); and c.) I haven't seen him in at least a year.

He and his family live a stone's throw from my grandpa's house. Since the old man is a father worthy of celebration, I found myself chatting in the garden and realizing I should probably pay a visit. I walked over to his place and sipped on a gin and tonic, because I thought it would be funny to boast about the childless world of Sunday afternoon gin baths (kidding, sort of). I ended up catching the tail end of their family movie night, and showed up just in time to see a motley group of digitized, sub-Saharan animals walk off into the sequel to a Madagascan sunset.

"Is this a weekly occurrence?" I wondered.
"Pretty much," he replied. "We like that the television is in here. Usually its music or voices for their entertainment."

Here was a tiny alcove near the front door, probably conceived as a mudroom for shoes and coats. As I sat on the floor, the children bounced on a small loveseat and told me about their favorite scenes before scampering off into their own sunset, now just visible through the branches of a tree and the backyard swing.

I told my wife about this arrangement later that evening--about secluding the television in another room--and we discussed the nature of television in our childhood homes, as well as what we observed with our friends then and now. In my house, I told her, everyone got ready at their own speed, so spending my middle school mornings with Eek the Cat! was pretty common. My step-mom even coaxed my brother and me into submissive cereal sessions by using VHS episodes of Teenage Mutant Ninja Turtles we'd seen hundreds of times.

I was somewhat of a latchkey kid outside of football season, so I spent afternoons with Music Television staples like The Grind or Singled Out or, in earlier years, Fox's Mighty Morphing Power Rangers. When dinner was served or homework started, the TV finally went blank. It kicked back on later, and even put me to bed on occasion. I confessed to having, but not abusing, my own small TV set in my room at one house.

At certain friends' houses, both then and now, the TV is the chattiest member of the family. It's on even when no one's watching it. The steady beat of commercial jingles, conversations, and sportscasters fills any gap day-to-day living and communicating might create. Most often, the ubiquitous white noise of the television causes anxiety, confusion, or stress when eliminated. Things seem a bit awkward for them, likely the same kind of awkward I feel with the damn thing always on. The existing silence represents a lack which, like a junkie after that sweet warm glow, needs fixing.

In the interest of full disclosure, I will say that we have an enormous television set in our house. It is featured prominently in a central location. We have modern bells and whistles as well. There's a dusty Wii, the an unfilled 6-disc DVD player, and an old VCR. We also rely on the genius of TiVo to select and record programs, then zip through commercials that get in our way. While I might sound like a slave to entertainment, last night I realized something kind of neat. TiVo ensures that we know why we are sitting in front of the screen. No one sits down and says, "What's on?" It's only, "What do we have saved up?" or maybe an expectation of a regularly scheduled episode. When the show ends, so does our TV time. Because we select the shows we want to watch, we flip, surf, or endure programs in the hopes of finding something to watch. The TiVo, it seems, is a solid reason we don't feel compelled to let the tube prate on in the backgrounds of our evenings.

Though my life does not share the context or the structure of my old roommate's young family, I do not fear that someday my own clan, whatever shape it might become, will rely on a channel to fill the spaces between its members. I'm sure this imaginary family will have plenty to talk about as soon as Daddy figures out how to kick this internet habit...

Call it, "A meditation on fantasy."

It's summer again, so I'm carving out a new routine.

I wake at the same early hour, somewhere before six. I open three windows, grab the newspaper, start the coffee, feed the cat. I usually head out for my run before 7; if I'm resting that day, I dig into the A section.

By mid morning, I'm at the keyboard, reading analysis and commentary on Slate or Grantland, updating newly downloaded podcasts, checking in on Facebook, and considering my errands and chores list.

Sometimes there's time for television, and since my usual cycle of watching only includes the staples I've made time for, summer represents my best chance to catch up on the nonsense I would otherwise skip in lieu of favorites like Community, Friday Night Lights, or Mad Men.

So, I've reacquainted myself with Anthony Bourdain and his No Reservations franchise, something I admitted to loving back in an early blog nearly three years ago. What I loved about the show, then and now, remains Bourdain's episodic commitment to spinning a food-centrist narrative. All the ills plaguing social and cultural landscape of the Western world--one might gather in watching Bourdain's the carefully-constructed arduousness of his trek across the globe--can be solved by reading the fine print on the centuries-old food labels on simplistic, old-world meals.

He eats. He asks. He learns. He even cooks, on occasion. And throughout each venture, you hear him espousing the ways recipes reflect lifestyles, the ways these lifestyles reflect people, and the ways these people make the world. It's a fantastic product, one that catapults Azorians, Icelanders, or Laotians into American living rooms, rendering them tangible, pure, and equally enviable. I admit I occasionally buy into his vision of the world, and identify what I perceive to be a kind of lack within me--an awareness of some cultural or familial legacy I desperately seek to acquire even though it might not exist. I sense a distance between myself and my past.

Is it the narrative creating this? Is Bourdain a glorified commercial, artfully orchestrating some product placement scheme, trying to sell me something I a.) don't need, or b.) can't actually obtain?

In a week, my father and I will embark on a trip that came about from similar ruminations on history, narrative, and tradition. There are things I need to see; places I need to know. So with my summer and his retirement, we have the chance to visit remote areas in Idaho, places he frequented in his life with his father and brothers. We will stay at a rustic family home in a vast, isolated canyon, brought to unnatural life only in the evening and morning by generator power. I will tread the ground where family ashes were returned to the earth. I will learn, like the patriarchs of my family, by the terrain of surrounding hillsides and the eddies of the swirling creek that swells along the property. I will hear the stories of the people who reside there.

Because I can't tell the future, I can't be certain this trip will satisfy all my structured longings. I can say for certain, however, that I've already built a scaffold for the experience in my mind. The deconstruction of these expectations might need to occur before the trip can become organic--before I can allow it become "real"--and by that point, I might already find myself disappointed in the chasm between the life that is and the narrative I so often want it to be.

And that's the thing about Bourdain's narrative. It's easy to spin a yarn about the quality of life when the spool of fabric encompasses an afternoon meal. What I need is proof that something obtainable exists when the episode ends. When the commercial goes to commercial.